Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... brothers, Harvey and Bob. They have a reputation for brilliance, but also for malice and brutality. Even though, properly speaking, Miramax is not an indie, it was at one time, and until very recently bestrode that world like the ...
... brothers, Harvey and Bob. They have a reputation for brilliance, but also for malice and brutality. Even though, properly speaking, Miramax is not an indie, it was at one time, and until very recently bestrode that world like the ...
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... brothers, perhaps the quintessential indie team working today, recently produced a picture called Bad Santa set up at Bob Weinstein's Miramax division, Dimension, starring Billy Bob Thornton and directed by Terry Zwigoff (Crum, Ghost ...
... brothers, perhaps the quintessential indie team working today, recently produced a picture called Bad Santa set up at Bob Weinstein's Miramax division, Dimension, starring Billy Bob Thornton and directed by Terry Zwigoff (Crum, Ghost ...
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... brothers settle a lawsuit, the severance or settlement terms, like those that Sundance imposes, often contain gag clauses, prohibiting people from speaking out. And when the Weinsteins get wind of a critical article in the offing, or ...
... brothers settle a lawsuit, the severance or settlement terms, like those that Sundance imposes, often contain gag clauses, prohibiting people from speaking out. And when the Weinsteins get wind of a critical article in the offing, or ...
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... brothers. Harvey was unhappy. I had told him that I wasn't going to pry into his private life—the 1990s were not, after all, the 1970s; drugs, sex, and rock'n'roll were not creative stimulants or career busters as they were then—but he ...
... brothers. Harvey was unhappy. I had told him that I wasn't going to pry into his private life—the 1990s were not, after all, the 1970s; drugs, sex, and rock'n'roll were not creative stimulants or career busters as they were then—but he ...
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... brothers were anomalies in the world of indie distribution. In contrast to many of their peers, the distributors who ... brother was then known, began showing movies. When they moved their act to New York City, Bobby became president ...
... brothers were anomalies in the world of indie distribution. In contrast to many of their peers, the distributors who ... brother was then known, began showing movies. When they moved their act to New York City, Bobby became president ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York