Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... ” —Jeff Simon, The Buffalo News “As in Easy Riders, Raging Bulls, his account of Hollywood in the 1970s, Biskind shrewdly shows a vanguard becoming the establishment.” —The New Yorker “Because of all the outrageous behavior on.
... ” —Jeff Simon, The Buffalo News “As in Easy Riders, Raging Bulls, his account of Hollywood in the 1970s, Biskind shrewdly shows a vanguard becoming the establishment.” —The New Yorker “Because of all the outrageous behavior on.
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... become infected by the very studio mentality they had set out to defeat. ... a gloriously bitchy account of Robert Redford and his Sundance Institute. . . . But the meat of the narrative lies in its description of Miramax's Harvey ...
... become infected by the very studio mentality they had set out to defeat. ... a gloriously bitchy account of Robert Redford and his Sundance Institute. . . . But the meat of the narrative lies in its description of Miramax's Harvey ...
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... becomes a casualty of the calendar, old news, swept aside by the next big release. Miramax, and to a lesser extent Sundance, dominate this story, as they do the indie world. Many filmmakers (in mid-career) and staffers.
... becomes a casualty of the calendar, old news, swept aside by the next big release. Miramax, and to a lesser extent Sundance, dominate this story, as they do the indie world. Many filmmakers (in mid-career) and staffers.
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... become adept at having their way with the press. In 1991, when I was working at Premiere magazine, I was asked to write an investigative piece about the brothers, who even then were notorious for their outré behavior. Before I had made ...
... become adept at having their way with the press. In 1991, when I was working at Premiere magazine, I was asked to write an investigative piece about the brothers, who even then were notorious for their outré behavior. Before I had made ...
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... become his trademark, shouting, “Matthew, get in here! It's time for your flogging!” Bob, dark and brooding, sat slumped in a chair to the left in front of the desk, playing Caliban to Harvey's Prospero, while I sank into a bottomless ...
... become his trademark, shouting, “Matthew, get in here! It's time for your flogging!” Bob, dark and brooding, sat slumped in a chair to the left in front of the desk, playing Caliban to Harvey's Prospero, while I sank into a bottomless ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York