Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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... audience. In 1982, Deutchman left UA Classics to team up with Amir Malin and John Ives to form a new company called Cinecom. “The studios were bidding up the price on the name-brand foreign films, the Truffauts, Fellinis, Bergmans, way ...
... audience. In 1982, Deutchman left UA Classics to team up with Amir Malin and John Ives to form a new company called Cinecom. “The studios were bidding up the price on the name-brand foreign films, the Truffauts, Fellinis, Bergmans, way ...
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... audience. Grosses spiraled upward. In 1985, Kiss of the Spider Woman racked up a very sweet $17 million for Island, and The Trip to Bountiful grossed $7.5 million. The following year Ismail Merchant and James Ivory's A Room with a View ...
... audience. Grosses spiraled upward. In 1985, Kiss of the Spider Woman racked up a very sweet $17 million for Island, and The Trip to Bountiful grossed $7.5 million. The following year Ismail Merchant and James Ivory's A Room with a View ...
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... audience in mind, and if they found one, it was serendipitous and likely to be a niche, not a mass audience. Likewise, if Hollywood movies were embedded in an economic system that cushioned risk with ancillary markets,1 indies marched ...
... audience in mind, and if they found one, it was serendipitous and likely to be a niche, not a mass audience. Likewise, if Hollywood movies were embedded in an economic system that cushioned risk with ancillary markets,1 indies marched ...
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... audiences and tested to death in previews administered by the increasingly influential National Research Group. But ... audience for films booked into lengthy engagements at few theaters. (At its maximum exposure, A Room with a View ...
... audiences and tested to death in previews administered by the increasingly influential National Research Group. But ... audience for films booked into lengthy engagements at few theaters. (At its maximum exposure, A Room with a View ...
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... audience. Enter Harvey and Bob Weinstein, who transformed the indie landscape. As Harvey himself— never one to hide ... audiences as well, made them look like fools and losers. Of course, endorsing this view is bad history and does the ...
... audience. Enter Harvey and Bob Weinstein, who transformed the indie landscape. As Harvey himself— never one to hide ... audiences as well, made them look like fools and losers. Of course, endorsing this view is bad history and does the ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York