Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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For the most part, American indies were still a curiosity, without a demonstrable audience. In 1982, Deutchman left UA Classics to team up with Amir Malin and John Ives to form a new company called Cinecom. “The studios were bidding up ...
For the most part, American indies were still a curiosity, without a demonstrable audience. In 1982, Deutchman left UA Classics to team up with Amir Malin and John Ives to form a new company called Cinecom. “The studios were bidding up ...
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By the mid-1980s, indie films were starting to build an identity and an audience. Grosses spiraled upward. In 1985, Kiss of the Spider Woman racked up a very sweet $17 million for Island, and The Trip to Bountiful grossed $7.5 million.
By the mid-1980s, indie films were starting to build an identity and an audience. Grosses spiraled upward. In 1985, Kiss of the Spider Woman racked up a very sweet $17 million for Island, and The Trip to Bountiful grossed $7.5 million.
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If Hollywood both reflected and pandered to popular taste, indies worked without an audience in mind, and if they found one, it was serendipitous and likely to be a niche, not a mass audience. Likewise, if Hollywood movies were embedded ...
If Hollywood both reflected and pandered to popular taste, indies worked without an audience in mind, and if they found one, it was serendipitous and likely to be a niche, not a mass audience. Likewise, if Hollywood movies were embedded ...
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... “high concept” pictures that were being packaged with recognizable faces for pre-existing audiences and tested to death ... and word of mouth gradually to build an audience for films booked into lengthy engagements at few theaters.
... “high concept” pictures that were being packaged with recognizable faces for pre-existing audiences and tested to death ... and word of mouth gradually to build an audience for films booked into lengthy engagements at few theaters.
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They had reached, apparently, the limit of their audience. Enter Harvey and Bob Weinstein, who transformed the indie landscape. As Harvey himself— never one to hide his light under a bushel—put it, “If I didn't exist, they'd have to ...
They had reached, apparently, the limit of their audience. Enter Harvey and Bob Weinstein, who transformed the indie landscape. As Harvey himself— never one to hide his light under a bushel—put it, “If I didn't exist, they'd have to ...
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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