Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 1-5 de 81
Página
... there's no business as dirty as show business.” —Rene Rodriguez, The Miami Herald “544 juicy, combative pages, most ... there' story of the indie world's deal making, backstabbing, and general dysfunction. Almost everyone here, from the ...
... there's no business as dirty as show business.” —Rene Rodriguez, The Miami Herald “544 juicy, combative pages, most ... there' story of the indie world's deal making, backstabbing, and general dysfunction. Almost everyone here, from the ...
Página
... there's no place to run, there's neither respite nor recourse. People get away with even worse behavior than they do in Hollywood. In Easy Riders, Raging Bulls, the challenge was to hack a path through the thicket of embroidered memory ...
... there's no place to run, there's neither respite nor recourse. People get away with even worse behavior than they do in Hollywood. In Easy Riders, Raging Bulls, the challenge was to hack a path through the thicket of embroidered memory ...
Página
... There are other festivals—Telluride, Toronto et al.—but Sundance is far and away the foremost showcase for indie ... there's Miramax, run by the Weinstein brothers, Harvey and Bob. They have a reputation for brilliance, but also for ...
... There are other festivals—Telluride, Toronto et al.—but Sundance is far and away the foremost showcase for indie ... there's Miramax, run by the Weinstein brothers, Harvey and Bob. They have a reputation for brilliance, but also for ...
Página
... there was this new vortex that you could head toward that had nothing to do with Hollywood, the sense that, holy shit, some kid with $25,000 from his parents could end up at Sundance Film Festival, and then the doors opened to that new ...
... there was this new vortex that you could head toward that had nothing to do with Hollywood, the sense that, holy shit, some kid with $25,000 from his parents could end up at Sundance Film Festival, and then the doors opened to that new ...
Página
... there was no money to conduct the programs. The reason Gary Beer lives is to tell people he works for Bob Redford. He was willing to do whatever he thought Bob wanted. It was, 'Yes Bob, yes Bob.'” Many blamed Redford for Beer. “Bob had ...
... there was no money to conduct the programs. The reason Gary Beer lives is to tell people he works for Bob Redford. He was willing to do whatever he thought Bob wanted. It was, 'Yes Bob, yes Bob.'” Many blamed Redford for Beer. “Bob had ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York