Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
Resultados 1-5 de 81
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... Soderbergh with sex, lies, and videotape; Hal Hartley with The Unbelievable Truth; Rick Linklater with Slacker; Todd Haynes with Poison; Gregg Araki with The Living End; Quentin Tarantino with Reservoir Dogs; David O. Russell with ...
... Soderbergh with sex, lies, and videotape; Hal Hartley with The Unbelievable Truth; Rick Linklater with Slacker; Todd Haynes with Poison; Gregg Araki with The Living End; Quentin Tarantino with Reservoir Dogs; David O. Russell with ...
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... Soderbergh. “I'm not one of those visionary types. I'm sort of in the middle. I want John Huston's career. I want to work for a long time and make all kinds of films.” Consequently, their achievement is deceptively understated. Again ...
... Soderbergh. “I'm not one of those visionary types. I'm sort of in the middle. I want John Huston's career. I want to work for a long time and make all kinds of films.” Consequently, their achievement is deceptively understated. Again ...
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... the Sundance Film Festival—as the big bang of the modern indie film movement. Sex, lies not only marked the arrival of Soderbergh, one of the brightest stars in this new galaxy of filmmakers, but it also signaled the emergence of.
... the Sundance Film Festival—as the big bang of the modern indie film movement. Sex, lies not only marked the arrival of Soderbergh, one of the brightest stars in this new galaxy of filmmakers, but it also signaled the emergence of.
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... Soderbergh stepped off the plane at the Salt Lake City International Airport headed for the U.S. Film Festival, thirty miles to the northeast in Park City, it was January 21, 1989, a Saturday afternoon, and he was just seven days past ...
... Soderbergh stepped off the plane at the Salt Lake City International Airport headed for the U.S. Film Festival, thirty miles to the northeast in Park City, it was January 21, 1989, a Saturday afternoon, and he was just seven days past ...
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... Soderbergh made his way carefully down the icy streets banked with mounds of filthy snow. His hair was long, his prominent ears nestled in the nimbus of auburn ringlets that surrounded his face like an aureole of cotton candy. Soderbergh ...
... Soderbergh made his way carefully down the icy streets banked with mounds of filthy snow. His hair was long, his prominent ears nestled in the nimbus of auburn ringlets that surrounded his face like an aureole of cotton candy. Soderbergh ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York