Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilSimon and Schuster, 2013 M01 8 - 560 páginas In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
Dentro del libro
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... Oscar nominations, big grosses—makes lovebirds of them all. In both cases, the truth becomes a casualty of the calendar, old news, swept aside by the next big release. Miramax, and to a lesser extent Sundance, dominate this story, as ...
... Oscar nominations, big grosses—makes lovebirds of them all. In both cases, the truth becomes a casualty of the calendar, old news, swept aside by the next big release. Miramax, and to a lesser extent Sundance, dominate this story, as ...
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... Oscar-winning turn as director of Ordinary People a year later, would earn him the fond sobriquet, “Ordinary Bob,” but in fact, it was all a bit much, teetering on the edge of kitsch, an Eddie Bauer theme park, Bobworld. (Later, the ...
... Oscar-winning turn as director of Ordinary People a year later, would earn him the fond sobriquet, “Ordinary Bob,” but in fact, it was all a bit much, teetering on the edge of kitsch, an Eddie Bauer theme park, Bobworld. (Later, the ...
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... Oscar for Geraldine Page) and Van Wagenen returned to Sundance in 1986. Redford, who had not been pleased to see him go, did not seem pleased to see him return. Emboldened by Bountiful's success, Van Wagenen moved ahead on Giant Joshua ...
... Oscar for Geraldine Page) and Van Wagenen returned to Sundance in 1986. Redford, who had not been pleased to see him go, did not seem pleased to see him return. Emboldened by Bountiful's success, Van Wagenen moved ahead on Giant Joshua ...
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... Oscar. Zeidman understood he had been wrong. “It was one of the first times I realized that Harvey could make things happen that were way beyond what you would think was in the realm of possibility. In a lot of ways I believe Harvey has ...
... Oscar. Zeidman understood he had been wrong. “It was one of the first times I realized that Harvey could make things happen that were way beyond what you would think was in the realm of possibility. In a lot of ways I believe Harvey has ...
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... Oscar. It was one of Harvey's patented I'm-going-to-lock-the-doors-and-keep-you-here-until-you-sign numbers. The fact that Day-Lewis played a disabled character and didn't want to have his picture taken out of character was something ...
... Oscar. It was one of Harvey's patented I'm-going-to-lock-the-doors-and-keep-you-here-until-you-sign numbers. The fact that Day-Lewis played a disabled character and didn't want to have his picture taken out of character was something ...
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
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