Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent FilIn this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world. |
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By virtue of the volume of its output, it is by far the largest employer of above-the-line talent and below-the-line crew in New York City, and it has a significant presence in Los Angeles as well. Staffers are afraid that if they talk ...
By virtue of the volume of its output, it is by far the largest employer of above-the-line talent and below-the-line crew in New York City, and it has a significant presence in Los Angeles as well. Staffers are afraid that if they talk ...
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He was focused on the bottom line. Whatever the movie, he always wanted to know, “Are we gonna make money on it, Harve?” If Harvey wore his heart on his sleeve, Bob was opaque, subject to extreme mood swings.
He was focused on the bottom line. Whatever the movie, he always wanted to know, “Are we gonna make money on it, Harve?” If Harvey wore his heart on his sleeve, Bob was opaque, subject to extreme mood swings.
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films were strikingly similar, with the autumnal Secaucus 7 mourning a revolution that failed, a gloss on Fonda's famous line, “We blew it.” Unlike Rocky, Superman, and Porky's et al., Sayles's film dealt with a serious subject—the ...
films were strikingly similar, with the autumnal Secaucus 7 mourning a revolution that failed, a gloss on Fonda's famous line, “We blew it.” Unlike Rocky, Superman, and Porky's et al., Sayles's film dealt with a serious subject—the ...
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... and most of the distribution companies were run by marketing people, like Deutchman at Cinecom and later Fine Line; Barker and Bernard at UA, Orion, and finally Sony Classics; and Bingham Ray and Jeff Lipsky at October.
... and most of the distribution companies were run by marketing people, like Deutchman at Cinecom and later Fine Line; Barker and Bernard at UA, Orion, and finally Sony Classics; and Bingham Ray and Jeff Lipsky at October.
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They took tissue out of the roof of my mouth and grafted it along the portions of my gum line that needed shoring up. It was a disaster, a fouryear process. I had to have braces for a year.” Then a friend thrust into his hands five ...
They took tissue out of the roof of my mouth and grafted it along the portions of my gum line that needed shoring up. It was a disaster, a fouryear process. I had to have braces for a year.” Then a friend thrust into his hands five ...
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LibraryThing Review
Crítica de los usuarios - Ivegotzooms - LibraryThingFun and fascinating. I can't believe there aren't any other reviews of this here. If you've ever wondered why the films that get made - get made - even in passing, you should read this. It will also ... Leer comentario completo
Down and dirty pictures: Miramax, Sundance, and the rise of independent film
Crítica de los usuarios - Not Available - Book VerdictIt's embargoed: the rise of the indies, from the author of Easy Riders, Raging Bulls. Leer comentario completo
Contenido
Risky Business | |
The Buying Game | |
Hes Gotta Have | |
The House That Quentin Built | |
Pumping Up the Volume | |
Crossover Dreams | |
The Bad Lieutenant | |
The King of New York | |
All That Jazz Is Gone | |
Gods and Monsters | |
The Sweet Hereafter | |
Cast of Characters | |
Photographs | |
Otras ediciones - Ver todas
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2004 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista previa limitada - 2005 |
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Peter Biskind Vista de fragmentos - 2004 |
Términos y frases comunes
According actors Affleck asked audience became become brothers called changed Confidential source continues Damon deal didn’t directed director Disney don’t executive feel felt festival film filmmakers finally four friends fuckin fucking getting give going gonna Greenstein grossed hand happened Harvey Harvey Weinstein Harvey’s head Hollywood independent indie interested it’s John Kids kind knew later lies Line live look marketing meeting million minutes Miramax moved movie never October once opened Oscar person picture play producer Quentin recalls Redford release says Schmidt Scott screening script seemed Shakespeare in Love shit Smith Soderbergh star started story studio success Sundance talk Tarantino tell theater There’s thing thought told took trying turned Universal walked Weinstein York