Film and Comic Books

Portada
Ian Gordon, Mark Jancovich, Matthew P. McAllister
Univ. Press of Mississippi, 2010 M01 6 - 328 páginas
In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics.


A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor, Ghost World), and photo-montage comics (Mexico's El Santo).


Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition.


Essayists also discuss recent works from Mexico, France, Germany, and Malaysia.


Essays from Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lef?vre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt


Ian Gordon is associate professor of history and convenor of American studies at the National University of Singapore. Mark Jancovich is professor of film and television studies at the University of East Anglia. Matthew P. McAllister is associate professor of film, video, and media studies at Pennsylvania State University.

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... TRANSLATION CREATIVITY AND ALIEN ECON ( C ) OMICS FROM HOLLYWOOD BLOCKBUSTER TO DARK HORSE COMIC BOOK -KERRY GOUGH [ 64 ] [ 86 ] WILL THE REAL WOLVERINE PLEASE STAND UP ? MARVEL'S MUTATION FROM MONTHLIES TO MOVIES - DEREK JOHNSON WHEN ...
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... translation may emphasize such dialogue's artificial nature to the point of uninten- tional camp. Stan Lee (2000) explains how Ken Johnson changed the texts in The Incredible Hulk television series (1978–1982): “He changed it quite a ...
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... translate static drawings into moving and photographic images, and fourth, how to give the “silent world” an audible sound? These seem to be the crucial problems of filmic adaptations of comics. Although new computer technology ...
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... translation, since one can- not merely import forms from one medium to another” (32). Smith makes the point that characters , story , and iconography are. IN PURSUIT OF A COMIC BOOK AESTHETIC Fig. 9. The diopter lens is a move away from.
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Contenido

THE PROBLEMATIC ADAPTATION OF DRAWN IMAGES
1
IN PURSUIT OF A COMIC BOOK AESTHETIC
13
FROM HOLLYWOOD BLOCKBUSTER TO DARK HORSE COMIC BOOK
37
MARVELS MUTATION FROM MONTHLIES TO MOVIES
64
RETEXTUALIZING COMIC BOOK FILM RECEPTION
86
THE BRITISH BROADSHEET PRESS AND THE XMEN FILMS AND COMIC
101
UNBREAKABLE AND THE LIMITS OF TRANSGRESSION
116
TEEN TRAJECTORIES IN SPIDERMAN AND GHOST WORLD
137
THE CASE OF A MEXICAN MULTIMEDIA HERO
199
THE APPARENT FAILURE OR POSSIBLE TRANSCENDENCE OF RALF KÖNIGS QUEER COMICS AESTHETIC IN MAYBE MAYBE NOT A...
221
THE STORY OF HANG TUAH IN FILMS AND COMICS
246
FROM COMIC BOOK NIKOPOL TRILOGY TO FILM IMMORTALS AD VITAM
268
NOTES
285
REFERENCES
297
CONTRIBUTORS
317
INDEX
321

SUPERMAN SMALLVILLE AND THE PRODUCTION OF MELODRAMA
160
TRANSLATING COMIC AUTOBIOGRAPHY INTO DRAMADOCUMENTARY
180
Derechos de autor

Otras ediciones - Ver todas

Film and Comic Books
Ian Gordon,Mark Jancovich,Matthew P. McAllister
Vista previa limitada - 2007
Film and Comic Books
Ian Gordon,Mark Jancovich,Matthew P. McAllister
Vista previa limitada - 2010
Film and Comic Books
Ian Gordon,Mark Jancovich,Matthew P. McAllister
Vista de fragmentos - 2007

Términos y frases comunes

action actors adaptations Aliens comic Aliens comic book American Splendor artist audience Axel Batman bewegte Mann Bilal’s blockbuster brand cartoon Century Fox character cinema color comic aesthetic comic readers comic strip comics and film Cruz Dark Horse Comics David DC Comics Der bewegte Mann Dick Tracy documentary drama-documentary Enid fans fiction film and comics film’s filmic filmmakers fotomontaje frame franchise genre Ghost World Giamatti Guzmán Hang Tuah Harvey Pekar hero Hikayat Hang Tuah Hollywood identity images industry intertextual issues Jebat Kondom des Grauens licensing Mackeroni mainstream Malay Marvel medium melodrama narrative Nikopol original panels photographic popular culture Press production Ralf König Ramlee release role Santo comic scene screen sequence shot Shuster Shyamalan Siegel Smallville Spider-Man Star story Stradley strategies studio style success superhero comics Superman teen television texts tion translation Unbreakable viewers visual Warner Wolverine X-Men X-Men film

Acerca del autor (2010)

Ian Gordon is associate professor of history and convenor of American studies at the National University of Singapore. His publications include Superman: The Persistence of an American Icon, Ben Katchor: Conversations, and The Comics of Charles Schulz: The Good Grief of Modern Life, the latter two published by University Press of Mississippi. Mark Jancovich is professor of film and television studies at the University of East Anglia. Matthew P. McAllister is associate professor of film, video, and media studies at Pennsylvania State University.

Información bibliográfica

TítuloFilm and Comic Books
Book collections on Project MUSE
EditoresIan Gordon, Mark Jancovich, Matthew P. McAllister
EditorUniv. Press of Mississippi, 2010
ISBN160473809X, 9781604738094
Largo328 páginas
  
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