Film and Comic BooksIan Gordon, Mark Jancovich, Matthew P. McAllister Univ. Press of Mississippi, 2010 M01 6 - 328 páginas In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics.
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Dentro del libro
Resultados 1-5 de 35
... panel - by - panel visual recreation of the com- ics as you could imagine ... [ t ] he composition of the frames is the same ; the camera angles the same; and every line of dialogue, [ viii ] INTRODUCTION.
... panels , which have important visual resemblance . Even in mainstream blockbuster movies , these visual parallels may lead to inter- esting aesthetic experiments , such as the “ comics - look ” attempted by such films as Dick Tracy and ...
... panels are arranged on a page, panels are static drawings and a comic does not make noise or sound. Film is quite different. First, there is a screen frame, second, the film images are moving and photographic, third, film has a ...
... panel, scan the complete plate, and return to panels or whole sequences at free will. A film, though, obliges the viewer to follow the rhythm of the sequences.14 In film the shots are put on a linear-time sequence; in comics THE ...
... panels and the combination of the panels on a page cannot be that easily separated: choices in one domain have consequences in the other do- main (Groensteen, “Du 7e au 9e art” 28).15 In addition, the interplay of the various panels ...
Contenido
| 1 | |
| 13 | |
FROM HOLLYWOOD BLOCKBUSTER TO DARK HORSE COMIC BOOK | 37 |
MARVELS MUTATION FROM MONTHLIES TO MOVIES | 64 |
RETEXTUALIZING COMIC BOOK FILM RECEPTION | 86 |
THE BRITISH BROADSHEET PRESS AND THE XMEN FILMS AND COMIC | 101 |
UNBREAKABLE AND THE LIMITS OF TRANSGRESSION | 116 |
TEEN TRAJECTORIES IN SPIDERMAN AND GHOST WORLD | 137 |
THE CASE OF A MEXICAN MULTIMEDIA HERO | 199 |
THE APPARENT FAILURE OR POSSIBLE TRANSCENDENCE OF RALF KÖNIGS QUEER COMICS AESTHETIC IN MAYBE MAYBE NOT A... | 221 |
THE STORY OF HANG TUAH IN FILMS AND COMICS | 246 |
FROM COMIC BOOK NIKOPOL TRILOGY TO FILM IMMORTALS AD VITAM | 268 |
NOTES | 285 |
REFERENCES | 297 |
CONTRIBUTORS | 317 |
INDEX | 321 |
SUPERMAN SMALLVILLE AND THE PRODUCTION OF MELODRAMA | 160 |
TRANSLATING COMIC AUTOBIOGRAPHY INTO DRAMADOCUMENTARY | 180 |