Film and Comic BooksIan Gordon, Mark Jancovich, Matthew P. McAllister Univ. Press of Mississippi, 2010 M01 6 - 328 páginas In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics.
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... Licensing Corp. of America, Warner's in-house merchandising arm, began to sprinkle just enough new movie- licensed goods into the marketplace—apparel, hats and pens— to freshen buyers' interest. “By the start of the year,” says Rob ...
... licensed its characters to a variety of studios. Gordon Hodge, a media analyst at Thomas Weisel Partners noted that this strategy involved not much risk, but also not “much opportunity for significant rewards.” He added: “If you own the ...
... are as anxious as major comic book companies to find ways to reap all financial dividends available to them through licensing their characters as a prod- uct . Treating characters as products , or as brands [ xii ] INTRODUCTION.
... licensed product. Rayna Denison takes two major instances of the Superman intertext, Superman: The Movie and the Smallville television series, as the subject for her study of genre in the comic book movie. She points to the ...
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Contenido
| 1 | |
| 13 | |
FROM HOLLYWOOD BLOCKBUSTER TO DARK HORSE COMIC BOOK | 37 |
MARVELS MUTATION FROM MONTHLIES TO MOVIES | 64 |
RETEXTUALIZING COMIC BOOK FILM RECEPTION | 86 |
THE BRITISH BROADSHEET PRESS AND THE XMEN FILMS AND COMIC | 101 |
UNBREAKABLE AND THE LIMITS OF TRANSGRESSION | 116 |
TEEN TRAJECTORIES IN SPIDERMAN AND GHOST WORLD | 137 |
THE CASE OF A MEXICAN MULTIMEDIA HERO | 199 |
THE APPARENT FAILURE OR POSSIBLE TRANSCENDENCE OF RALF KÖNIGS QUEER COMICS AESTHETIC IN MAYBE MAYBE NOT A... | 221 |
THE STORY OF HANG TUAH IN FILMS AND COMICS | 246 |
FROM COMIC BOOK NIKOPOL TRILOGY TO FILM IMMORTALS AD VITAM | 268 |
NOTES | 285 |
REFERENCES | 297 |
CONTRIBUTORS | 317 |
INDEX | 321 |
SUPERMAN SMALLVILLE AND THE PRODUCTION OF MELODRAMA | 160 |
TRANSLATING COMIC AUTOBIOGRAPHY INTO DRAMADOCUMENTARY | 180 |