Film and Comic BooksIan Gordon, Mark Jancovich, Matthew P. McAllister Univ. Press of Mississippi, 2010 M01 6 - 328 páginas In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics.
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... franchise character,” over others such as James Bond and Harry Potter; Spider-Man was third (Stack, 2006). Producers have also tapped al- ternative comics such as From Hell, American Splendor, and Ghost World for cinemagraphic ...
... franchises alive and vital” (Jenkins “Will the Web Save Comics?”). Marvel's Bill Jemas took an opposing view stating that Marvel produced comic books for readers not in the hope of a director turning them into a film ( Hanson 1E ) ...
... franchise with a particular focus on the role and position of Wolverine . Johnson offers an account of Marvel's varying success in establishing a coherence for Wolverine while at the same time allowing for differentiation to attract ...
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Contenido
1 | |
13 | |
FROM HOLLYWOOD BLOCKBUSTER TO DARK HORSE COMIC BOOK | 37 |
MARVELS MUTATION FROM MONTHLIES TO MOVIES | 64 |
RETEXTUALIZING COMIC BOOK FILM RECEPTION | 86 |
THE BRITISH BROADSHEET PRESS AND THE XMEN FILMS AND COMIC | 101 |
UNBREAKABLE AND THE LIMITS OF TRANSGRESSION | 116 |
TEEN TRAJECTORIES IN SPIDERMAN AND GHOST WORLD | 137 |
THE CASE OF A MEXICAN MULTIMEDIA HERO | 199 |
THE APPARENT FAILURE OR POSSIBLE TRANSCENDENCE OF RALF KÖNIGS QUEER COMICS AESTHETIC IN MAYBE MAYBE NOT A... | 221 |
THE STORY OF HANG TUAH IN FILMS AND COMICS | 246 |
FROM COMIC BOOK NIKOPOL TRILOGY TO FILM IMMORTALS AD VITAM | 268 |
NOTES | 285 |
REFERENCES | 297 |
CONTRIBUTORS | 317 |
INDEX | 321 |
SUPERMAN SMALLVILLE AND THE PRODUCTION OF MELODRAMA | 160 |
TRANSLATING COMIC AUTOBIOGRAPHY INTO DRAMADOCUMENTARY | 180 |