Film and Comic BooksIan Gordon, Mark Jancovich, Matthew P. McAllister Univ. Press of Mississippi, 2010 M01 6 - 328 páginas In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics.
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... TIMOTHY P. BARNARD ENKI BILAL'S INTERMEDIAL FANTASIES FROM COMIC BOOK NIKOPOL TRILOGY TO FILM IMMORTALS ( AD VITAM ) - SOPHIE GEOFFROY - MENOUX [ 285 ] NOTES [ 297 ] [ 317 ] [ 321 ] REFERENCES CONTRIBUTORS INDEX [ vi ] CONTENTS.
... Bilal's film Immortel . She argues that the film deconstructs the comics on which it is based . Bilal's view that globalization , eugenics , a cynical approach to money , a morbid fear of aging , the quest for eternal youth and sex have ...
... Bilal) under- stand that a film usually needs changes to the original material. Enki Bilal stresses that Immortel is not an adaptation of his Nikopol trilogy, but a re- writing (“réécriture”). He explains in an interview that it was ...
... Bilal ) are rare ex- amples of comic artists as crafty ( co ) directors of films ( see further in this book the analysis of Immortels ) . The mise - en - scene and the art direction are thus of paramount importance , because not only ...
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Contenido
| 1 | |
| 13 | |
FROM HOLLYWOOD BLOCKBUSTER TO DARK HORSE COMIC BOOK | 37 |
MARVELS MUTATION FROM MONTHLIES TO MOVIES | 64 |
RETEXTUALIZING COMIC BOOK FILM RECEPTION | 86 |
THE BRITISH BROADSHEET PRESS AND THE XMEN FILMS AND COMIC | 101 |
UNBREAKABLE AND THE LIMITS OF TRANSGRESSION | 116 |
TEEN TRAJECTORIES IN SPIDERMAN AND GHOST WORLD | 137 |
THE CASE OF A MEXICAN MULTIMEDIA HERO | 199 |
THE APPARENT FAILURE OR POSSIBLE TRANSCENDENCE OF RALF KÖNIGS QUEER COMICS AESTHETIC IN MAYBE MAYBE NOT A... | 221 |
THE STORY OF HANG TUAH IN FILMS AND COMICS | 246 |
FROM COMIC BOOK NIKOPOL TRILOGY TO FILM IMMORTALS AD VITAM | 268 |
NOTES | 285 |
REFERENCES | 297 |
CONTRIBUTORS | 317 |
INDEX | 321 |
SUPERMAN SMALLVILLE AND THE PRODUCTION OF MELODRAMA | 160 |
TRANSLATING COMIC AUTOBIOGRAPHY INTO DRAMADOCUMENTARY | 180 |