The Cambridge Companion to American Women PlaywrightsBrenda Murphy Cambridge University Press, 1999 M06 28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... bythe Harlemtheatreof the fiftiesas well as the diverse careerpathsthese artistshave followed. The sectionon ... by the new feminism,but invery different ways. The vitality and multiplicityof their responses tothe feminist movement is ...
... bythe Harlemtheatreof the fiftiesas well as the diverse careerpathsthese artistshave followed. The sectionon ... by the new feminism,but invery different ways. The vitality and multiplicityof their responses tothe feminist movement is ...
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... bythe Barbary pirates –agenuine international problemat thetime– it contrasts two nations that, toRowson, exemplified oppositeextremes offreedom and oppression. Theplay presents two separate groups of characters: the captors, who ...
... bythe Barbary pirates –agenuine international problemat thetime– it contrasts two nations that, toRowson, exemplified oppositeextremes offreedom and oppression. Theplay presents two separate groups of characters: the captors, who ...
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... bythe Barbary pirates while on a voyage toseekout Ellinor's fiancé, who has not been heard from in months. They findhimand his servant Zeikelamong the captivesin Algiers. The men areforced to perform backbreaking labor, and Ellinor's ...
... bythe Barbary pirates while on a voyage toseekout Ellinor's fiancé, who has not been heard from in months. They findhimand his servant Zeikelamong the captivesin Algiers. The men areforced to perform backbreaking labor, and Ellinor's ...
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... Trueman, whenhe revealshimself asher grandfather. In the end, Gertrude expectsto returntothe country, but her aunts have been supplanted bythe patriarchal grandfather. Trueman is very eager to get Gertrude married; though he.
... Trueman, whenhe revealshimself asher grandfather. In the end, Gertrude expectsto returntothe country, but her aunts have been supplanted bythe patriarchal grandfather. Trueman is very eager to get Gertrude married; though he.
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... bythe middleof thenineteenth century. NOTES 1 Other satires attributedtoMercy OtisWarreninclude The Adulateur(1773), The Defeat(1773), and The Blockheads;orThe Affrighted Officers(1776). 2 Page numbers refer toThe Group in Amelia Howe ...
... bythe middleof thenineteenth century. NOTES 1 Other satires attributedtoMercy OtisWarreninclude The Adulateur(1773), The Defeat(1773), and The Blockheads;orThe Affrighted Officers(1776). 2 Page numbers refer toThe Group in Amelia Howe ...
Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
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