The Cambridge Companion to American Women PlaywrightsThis volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... winsthe JohnGassner Playwriting Medallion, theNewsday Oppenheim Award, and a special citation from theNew York Drama Critics Circle; the play opens inLouisville andmovesto New York the following year Wendy Wasserstein's thesis play, ...
... winsthe JohnGassner Playwriting Medallion, theNewsday Oppenheim Award, and a special citation from theNew York Drama Critics Circle; the play opens inLouisville andmovesto New York the following year Wendy Wasserstein's thesis play, ...
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The play was notintended for performance, but mayhave been givendramatic readings inthecamps ofthePatriot army and in ... While shedoes not include women in the primary action of theplay, Warren makesit clear that themethods and ...
The play was notintended for performance, but mayhave been givendramatic readings inthecamps ofthePatriot army and in ... While shedoes not include women in the primary action of theplay, Warren makesit clear that themethods and ...
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Dealing withthe capture of Americansea travelers bythe Barbary pirates –agenuine international problemat thetime– it contrasts two nations that, toRowson, exemplified oppositeextremes offreedom and oppression. Theplay presents two ...
Dealing withthe capture of Americansea travelers bythe Barbary pirates –agenuine international problemat thetime– it contrasts two nations that, toRowson, exemplified oppositeextremes offreedom and oppression. Theplay presents two ...
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(94) Rowson thus imagines out loud that women inthe audience view the message of theplay as female supremacy, butthen assures them that women's real powers lie in soothing and caringfor thosearound them, so thatthey “hold insilken ...
(94) Rowson thus imagines out loud that women inthe audience view the message of theplay as female supremacy, butthen assures them that women's real powers lie in soothing and caringfor thosearound them, so thatthey “hold insilken ...
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The play's subplot concerns the married couple with whom Eliza resides: Mrs. Bloomville's extravagance threatensto bankrupt her husband. Virtue Triumphant places the pursuitof happinesswithin the context ofreason andresponsibility.
The play's subplot concerns the married couple with whom Eliza resides: Mrs. Bloomville's extravagance threatensto bankrupt her husband. Virtue Triumphant places the pursuitof happinesswithin the context ofreason andresponsibility.
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Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
Adrienne Kennedy African American African American women Alice Childress American Drama American theatre American women playwrights andher andthe artists asthe atthe audience Beth Henley black women Broadway bythe Cambridge Companion career century characters comedy Contemporary critics culture domestic dramatists edited expressionist Fefu female feminism Fornes fromthe gender Georgia Douglas Georgia Douglas Johnson Girls Glaspell Grimké Hansberry Hansberry’s Harlem Renaissance Heidi Heidi Chronicles Henley’s Howe’s Hurston husband inthe Johnson Kennedy’s Lillian Hellman Lorraine Hansberry Lyssa male Man’s World marriage Marsha Marsha Norman melodrama Miller modern modernist mother movement Negro NewYork nineteenthcentury Norman Ntozake ofher ofthe oneact onthe patriarchal performances play play’s playwriting political produced Rachel Crothers ratherthan realism role Rowson scene Shange Shange’s Simone social Sophie Treadwell stage Susan Glaspell Susan Glaspell’s Terry’s thatthe theatrical theNew theplay tothe traditional Treadwell Treadwell’s University Wasserstein Wendy Wendy Wasserstein withher withthe woman writing York
Información bibliográfica
| Título | The Cambridge Companion to American Women Playwrights Cambridge Companions to Literature |
| Editor | Brenda Murphy |
| Editor | Cambridge University Press, 1999 |
| ISBN | 1139825615, 9781139825610 |
| Exportar cita | BiBTeX EndNote RefMan |