The Cambridge Companion to American Women PlaywrightsBrenda Murphy Cambridge University Press, 1999 M06 28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... the New Negro Movement JUDITH L . STEPHENS 8 Lillian Hellman: feminism, formalism, and politics THOMAS P. ADLER 9 From Harlem to Broadway: African American women playwrights at midcentury MARGARET B.WILKERSON Part 3:Newfeminists 10 ...
... the New Negro Movement JUDITH L . STEPHENS 8 Lillian Hellman: feminism, formalism, and politics THOMAS P. ADLER 9 From Harlem to Broadway: African American women playwrights at midcentury MARGARET B.WILKERSON Part 3:Newfeminists 10 ...
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... thenew wave of feminist criticism,however, came arediscovery ofthewomen playwrights who had written, sometimes anonymouslyor pseudonymously, a large body ofworkfor the eighteenthand nineteenthcentury American stage, aswellasa ...
... thenew wave of feminist criticism,however, came arediscovery ofthewomen playwrights who had written, sometimes anonymouslyor pseudonymously, a large body ofworkfor the eighteenthand nineteenthcentury American stage, aswellasa ...
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... the new feminism,but invery different ways. The vitality and multiplicityof their responses tothe feminist movement is evident in the workofsuch heterogeneous playwrights asMegan Terry, Maria Irene Fornes, NtozakeShange, Wendy ...
... the new feminism,but invery different ways. The vitality and multiplicityof their responses tothe feminist movement is evident in the workofsuch heterogeneous playwrights asMegan Terry, Maria Irene Fornes, NtozakeShange, Wendy ...
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... the New YorkPublic Libraryforthe Performing Arts,Astor, Lenox and Tilden Foundations, andarereprinted with permission ... theNew YorkPublic Library, Astor, Lenox, andTilden Foundations, and are reprinted with permission. CHRONOLOGY ...
... the New YorkPublic Libraryforthe Performing Arts,Astor, Lenox and Tilden Foundations, andarereprinted with permission ... theNew YorkPublic Library, Astor, Lenox, andTilden Foundations, and are reprinted with permission. CHRONOLOGY ...
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... the New American Company; Rowson will find playwriting successwith her comediesandcomic operas 1766 Major Robert Rogers'Ponteach; or the Savages of America, the first playabout Americapublished byan American 1767 New York'sfirst ...
... the New American Company; Rowson will find playwriting successwith her comediesandcomic operas 1766 Major Robert Rogers'Ponteach; or the Savages of America, the first playabout Americapublished byan American 1767 New York'sfirst ...
Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
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