The Cambridge Companion to American Women PlaywrightsBrenda Murphy Cambridge University Press, 1999 M06 28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... Stage: The Pulitzer Prize Plays as an Approach to American Drama, A Streetcar Named Desire: The Moth and the Lantern, and his latest book, recently reprinted in paperback, American Drama, 1940–1960: A Critical History– which includes ...
... Stage: The Pulitzer Prize Plays as an Approach to American Drama, A Streetcar Named Desire: The Moth and the Lantern, and his latest book, recently reprinted in paperback, American Drama, 1940–1960: A Critical History– which includes ...
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... Stage,Film, and Television. LAURIN PORTERisAssociate Professor of English attheUniversity ofTexas at Arlington,where sheteaches drama,women's studies, andAmerican literature. Sheisthe author ofThe Banished Prince: Time, Memory,and ...
... Stage,Film, and Television. LAURIN PORTERisAssociate Professor of English attheUniversity ofTexas at Arlington,where sheteaches drama,women's studies, andAmerican literature. Sheisthe author ofThe Banished Prince: Time, Memory,and ...
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... stage, aswellasa reevaluation ofthe work of women playwrights in the firsthalfofthe twentiethcentury. Thenew feminism also sparked a vibrant new feministtheatre, which inturn produceda whole generationof womenwriters and performers who ...
... stage, aswellasa reevaluation ofthe work of women playwrights in the firsthalfofthe twentiethcentury. Thenew feminism also sparked a vibrant new feministtheatre, which inturn produceda whole generationof womenwriters and performers who ...
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... stage 1750 General Court of Massachusetts passes legislation to prevent stage plays 1751 Judith Sargent Murray born (d. 1820); Murray will become the Chronology STEPHANIE ROACH.
... stage 1750 General Court of Massachusetts passes legislation to prevent stage plays 1751 Judith Sargent Murray born (d. 1820); Murray will become the Chronology STEPHANIE ROACH.
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... stage plays Susanna Haswell Rowson born (d. 1828); although born in England, Rowson grows up in Massachusetts;the Rowson familywill be deported duringthe American Revolution, but Rowson and her husband William will eventually return to ...
... stage plays Susanna Haswell Rowson born (d. 1828); although born in England, Rowson grows up in Massachusetts;the Rowson familywill be deported duringthe American Revolution, but Rowson and her husband William will eventually return to ...
Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
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