The Cambridge Companion to American Women PlaywrightsBrenda Murphy Cambridge University Press, 1999 M06 28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... sexual abuse , and the feminization of poverty Alice Childress ' Gold Through the Trees Lillian Hellman directs a revival of The Children's Hour ; in this same year she is called to testify before the House Un - American Activities ...
... sexual abuse , and the feminization of poverty Alice Childress ' Gold Through the Trees Lillian Hellman directs a revival of The Children's Hour ; in this same year she is called to testify before the House Un - American Activities ...
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... sexual obsession , class prejudice , and ignorance of other charac- ters . Pogson attempts to draw a distinction between the cruel and predatory Algerian slave - drivers and the kindly South Carolinian woman IO AMELIA HOWE KRITZER.
... sexual obsession , class prejudice , and ignorance of other charac- ters . Pogson attempts to draw a distinction between the cruel and predatory Algerian slave - drivers and the kindly South Carolinian woman IO AMELIA HOWE KRITZER.
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... sexual " Other " and excluding female subjectivity.3 While it is certainly true that stage realism has often been guilty of these offenses , I fear that the dismissal of realism by feminists might have several undesirable effects ...
... sexual " Other " and excluding female subjectivity.3 While it is certainly true that stage realism has often been guilty of these offenses , I fear that the dismissal of realism by feminists might have several undesirable effects ...
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Contenido
| 3 | |
| 19 | |
| 31 | |
Inheritors | 47 |
Susan Glaspell and modernism | 49 |
The expressionist moment Sophie Treadwell | 66 |
Feminism and the marketplace the career of Rachel Crothers | 82 |
The Harlem Renaissance and the New Negro Movement | 98 |
Feminist theory and contemporary drama | 155 |
Feminist theatre of the seventies in the United States | 173 |
Contemporary playwrightstraditional forms | 195 |
Wendy Wasserstein a feminist voice from the seventies to the present | 213 |
Further reading | 233 |
Contemporary American women playwrights a brief survey of selected scholarship | 235 |
Discovering and recovering African American women playwrights writing before 1930 | 244 |
Works cited | 254 |
Lillian Hellman feminism formalism and politics | 118 |
From Harlem to Broadway African American women playwrights at midcentury | 134 |
New feminists | 153 |
Index | 273 |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
actors Adrienne Kennedy African American women Alice Childress American Drama American theatre American women playwrights Approaching Simone artists audience black women playwrights Broadway Cambridge Companion career century characters Colored Girls comedy contemporary create critics cultural daughter domestic dramatists early edited expressionist Fefu female feminism Feminist Theatre focus gender Georgia Douglas Johnson Glaspell's Grimké Hansberry Hansberry's Harlem Renaissance Heidi Heidi Chronicles Henley's husband Kennedy's Lillian Hellman lives Lulu lynching Lyssa male Man's World Maria Irene Fornes marriage married Marsha Norman melodrama Miller Minnie modern modernist mother moved movement Negro Norman novel Ntozake patriarchal performed play play's playwriting political produced protagonist Rachel Crothers realism relationship reveals role Rowson scene scholars sexual Shange Shange's sister social Sophie Treadwell stage stories Susan Glaspell Terry's theatrical traditional Treadwell Treadwell's University voice Wasserstein Wendy Wendy Wasserstein woman writing wrote York young Zora Neale Hurston