The Cambridge Companion to American Women PlaywrightsThis volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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Her books includeAmerican Realism and American Drama, 1880–1940 (1987), Tennessee Williamsand Elia Kazan: A Collaborationin theTheatre (1992), and a study of Arthur Miller's Death of a Salesman for thePlaysin Performance series(1995).
Her books includeAmerican Realism and American Drama, 1880–1940 (1987), Tennessee Williamsand Elia Kazan: A Collaborationin theTheatre (1992), and a study of Arthur Miller's Death of a Salesman for thePlaysin Performance series(1995).
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... as wellasmany articles on American playwrights, feminist drama, anddramatic theory. Hercurrent project is a study of blues music as cultural performance.
... as wellasmany articles on American playwrights, feminist drama, anddramatic theory. Hercurrent project is a study of blues music as cultural performance.
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project is a study of blues music as cultural performance. JUDITH L. STEPHENS is Associate Professor of Speech Communication at Penn State University – the Schuylkill Campus. She is the author of Borrowed Rites andanumber ofarticles ...
project is a study of blues music as cultural performance. JUDITH L. STEPHENS is Associate Professor of Speech Communication at Penn State University – the Schuylkill Campus. She is the author of Borrowed Rites andanumber ofarticles ...
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... Fashion continues today to receive critical attention and is often still produced 1835 Louisa Medina's Last Days of Pompeii has a twentynine performance run, setting the record for the longest running productionatthe Bowery Theatre, ...
... Fashion continues today to receive critical attention and is often still produced 1835 Louisa Medina's Last Days of Pompeii has a twentynine performance run, setting the record for the longest running productionatthe Bowery Theatre, ...
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... Booth's debut Anna Cora Mowatt's final performance (June3) 1855 Actressmanager Laura Keene opens the Laura Keen Varieties Theatre, NewYork 1856 First American copyright law Mrs. Sidney Bateman's satire Self 1863 Charles W. Witham, ...
... Booth's debut Anna Cora Mowatt's final performance (June3) 1855 Actressmanager Laura Keene opens the Laura Keen Varieties Theatre, NewYork 1856 First American copyright law Mrs. Sidney Bateman's satire Self 1863 Charles W. Witham, ...
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Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
Adrienne Kennedy African American African American women Alice Childress American Drama American theatre American women playwrights andher andthe artists asthe atthe audience Beth Henley black women Broadway bythe Cambridge Companion career century characters comedy Contemporary critics culture domestic dramatists edited expressionist Fefu female feminism Fornes fromthe gender Georgia Douglas Georgia Douglas Johnson Girls Glaspell Grimké Hansberry Hansberry’s Harlem Renaissance Heidi Heidi Chronicles Henley’s Howe’s Hurston husband inthe Johnson Kennedy’s Lillian Hellman Lorraine Hansberry Lyssa male Man’s World marriage Marsha Marsha Norman melodrama Miller modern modernist mother movement Negro NewYork nineteenthcentury Norman Ntozake ofher ofthe oneact onthe patriarchal performances play play’s playwriting political produced Rachel Crothers ratherthan realism role Rowson scene Shange Shange’s Simone social Sophie Treadwell stage Susan Glaspell Susan Glaspell’s Terry’s thatthe theatrical theNew theplay tothe traditional Treadwell Treadwell’s University Wasserstein Wendy Wendy Wasserstein withher withthe woman writing York
Información bibliográfica
| Título | The Cambridge Companion to American Women Playwrights Cambridge Companions to Literature |
| Editor | Brenda Murphy |
| Editor | Cambridge University Press, 1999 |
| ISBN | 1139825615, 9781139825610 |
| Exportar cita | BiBTeX EndNote RefMan |