The Cambridge Companion to American Women PlaywrightsThis volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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He is the author of many articles and a number of books on American drama, including Mirror on the Stage: The Pulitzer ... A History of Buffalo Bill'sWild West, as wellas anumber of articles onthe nineteenthcentury American theatre.
He is the author of many articles and a number of books on American drama, including Mirror on the Stage: The Pulitzer ... A History of Buffalo Bill'sWild West, as wellas anumber of articles onthe nineteenthcentury American theatre.
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Before the feminist resurgence of the 1970s, the prevailing wisdom among critics and historians was that the impact of women playwrights on the American theatre had been negligible. With the exception of a handful of respected plays ...
Before the feminist resurgence of the 1970s, the prevailing wisdom among critics and historians was that the impact of women playwrights on the American theatre had been negligible. With the exception of a handful of respected plays ...
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1814); Warren will become the first Americanborn woman tobe known asa dramatic comedy writer 1730 Amateur New York production of Romeo and Juliet marks the debut of Shakespeare on the American stage 1750 General Court of Massachusetts ...
1814); Warren will become the first Americanborn woman tobe known asa dramatic comedy writer 1730 Amateur New York production of Romeo and Juliet marks the debut of Shakespeare on the American stage 1750 General Court of Massachusetts ...
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... American QuarterlyReview (June) 1830s–40s American women dramatists turn from comedy to melodrama and tragedy; however,in 1845Anna Cora Mowatt's comedyFashion breaks on the theatre scene and is a stunning success; Fashion continues ...
... American QuarterlyReview (June) 1830s–40s American women dramatists turn from comedy to melodrama and tragedy; however,in 1845Anna Cora Mowatt's comedyFashion breaks on the theatre scene and is a stunning success; Fashion continues ...
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1948); always on the cutting edge of American theatre,Glaspell will helpfound the Provincetown Players, acompany thatwill produce hermany and manyfaceted plays 1878 Frances Hodgson Burnett'sstage adaptation of her novel That Lass o' ...
1948); always on the cutting edge of American theatre,Glaspell will helpfound the Provincetown Players, acompany thatwill produce hermany and manyfaceted plays 1878 Frances Hodgson Burnett'sstage adaptation of her novel That Lass o' ...
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Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
Adrienne Kennedy African American African American women Alice Childress American Drama American theatre American women playwrights andher andthe artists asthe atthe audience Beth Henley black women Broadway bythe Cambridge Companion career century characters comedy Contemporary critics culture domestic dramatists edited expressionist Fefu female feminism Fornes fromthe gender Georgia Douglas Georgia Douglas Johnson Girls Glaspell Grimké Hansberry Hansberry’s Harlem Renaissance Heidi Heidi Chronicles Henley’s Howe’s Hurston husband inthe Johnson Kennedy’s Lillian Hellman Lorraine Hansberry Lyssa male Man’s World marriage Marsha Marsha Norman melodrama Miller modern modernist mother movement Negro NewYork nineteenthcentury Norman Ntozake ofher ofthe oneact onthe patriarchal performances play play’s playwriting political produced Rachel Crothers ratherthan realism role Rowson scene Shange Shange’s Simone social Sophie Treadwell stage Susan Glaspell Susan Glaspell’s Terry’s thatthe theatrical theNew theplay tothe traditional Treadwell Treadwell’s University Wasserstein Wendy Wendy Wasserstein withher withthe woman writing York
Información bibliográfica
| Título | The Cambridge Companion to American Women Playwrights Cambridge Companions to Literature |
| Editor | Brenda Murphy |
| Editor | Cambridge University Press, 1999 |
| ISBN | 1139825615, 9781139825610 |
| Exportar cita | BiBTeX EndNote RefMan |