The Cambridge Companion to American Women PlaywrightsThis volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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Together these playwrights represent the broad spectrum of drama andtheatre sparked bythe Harlemtheatreof the ... As thechapters byHelene Keyssar, Jan Balakian, andLaurin Porter show, allofthese womenwere deeply affected by the new ...
Together these playwrights represent the broad spectrum of drama andtheatre sparked bythe Harlemtheatreof the ... As thechapters byHelene Keyssar, Jan Balakian, andLaurin Porter show, allofthese womenwere deeply affected by the new ...
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Dealing withthe capture of Americansea travelers bythe Barbary pirates –agenuine international problemat thetime– it contrasts two nations that, toRowson, exemplified oppositeextremes offreedom and oppression.
Dealing withthe capture of Americansea travelers bythe Barbary pirates –agenuine international problemat thetime– it contrasts two nations that, toRowson, exemplified oppositeextremes offreedom and oppression.
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Ellinor, a young South Carolina woman, along with herbrother anda female companion, are captured bythe Barbary pirates while on a voyage toseekout Ellinor's fiancé, who has not been heard from in months. They findhimand his servant ...
Ellinor, a young South Carolina woman, along with herbrother anda female companion, are captured bythe Barbary pirates while on a voyage toseekout Ellinor's fiancé, who has not been heard from in months. They findhimand his servant ...
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... have been supplanted bythe patriarchal grandfather. Trueman is very eager to get Gertrude married; though he.
... have been supplanted bythe patriarchal grandfather. Trueman is very eager to get Gertrude married; though he.
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Comedies byearly American womenthuschart the change in attitudes from therelatively openended postRevolutionary constructof the “republican mother” toa muchmore limiting definitionofwoman's sphere bythe middleof thenineteenth century.
Comedies byearly American womenthuschart the change in attitudes from therelatively openended postRevolutionary constructof the “republican mother” toa muchmore limiting definitionofwoman's sphere bythe middleof thenineteenth century.
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Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
Adrienne Kennedy African American African American women Alice Childress American Drama American theatre American women playwrights andher andthe artists asthe atthe audience Beth Henley black women Broadway bythe Cambridge Companion career century characters comedy Contemporary critics culture domestic dramatists edited expressionist Fefu female feminism Fornes fromthe gender Georgia Douglas Georgia Douglas Johnson Girls Glaspell Grimké Hansberry Hansberry’s Harlem Renaissance Heidi Heidi Chronicles Henley’s Howe’s Hurston husband inthe Johnson Kennedy’s Lillian Hellman Lorraine Hansberry Lyssa male Man’s World marriage Marsha Marsha Norman melodrama Miller modern modernist mother movement Negro NewYork nineteenthcentury Norman Ntozake ofher ofthe oneact onthe patriarchal performances play play’s playwriting political produced Rachel Crothers ratherthan realism role Rowson scene Shange Shange’s Simone social Sophie Treadwell stage Susan Glaspell Susan Glaspell’s Terry’s thatthe theatrical theNew theplay tothe traditional Treadwell Treadwell’s University Wasserstein Wendy Wendy Wasserstein withher withthe woman writing York