The Cambridge Companion to American Women PlaywrightsBrenda Murphy Cambridge University Press, 1999 M06 28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... and her husband William will eventually return to Massachusetts where they will have stage careers with the New American Company; Rowson will find playwriting successwith her comediesandcomic operas 1766 Major Robert Rogers'Ponteach; or ...
... and her husband William will eventually return to Massachusetts where they will have stage careers with the New American Company; Rowson will find playwriting successwith her comediesandcomic operas 1766 Major Robert Rogers'Ponteach; or ...
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... and her most realistic, psychological drama, Lone Valley 1934 Lillian Hellman's TheChildren's Hour; thisplayintroduces Hellman to the Americantheatre sceneandenjoys thelongest run (691 performances) of any production in Hellman's ...
... and her most realistic, psychological drama, Lone Valley 1934 Lillian Hellman's TheChildren's Hour; thisplayintroduces Hellman to the Americantheatre sceneandenjoys thelongest run (691 performances) of any production in Hellman's ...
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... andher several tours of duty as artistic director for theatres from Minneapolis to NewJersey and New York 1955 Alice Childress' Trouble in Mind wins an Obie Lillian Hellman's adaptation of Jean Anouilh's The Lark 1956 Performance.
... andher several tours of duty as artistic director for theatres from Minneapolis to NewJersey and New York 1955 Alice Childress' Trouble in Mind wins an Obie Lillian Hellman's adaptation of Jean Anouilh's The Lark 1956 Performance.
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... and Her Friends Marsha Norman'sfirstplay, GettingOut, winsthe JohnGassner Playwriting Medallion, theNewsday Oppenheim Award, and a special citation from theNew York Drama Critics Circle; the play opens inLouisville andmovesto New York ...
... and Her Friends Marsha Norman'sfirstplay, GettingOut, winsthe JohnGassner Playwriting Medallion, theNewsday Oppenheim Award, and a special citation from theNew York Drama Critics Circle; the play opens inLouisville andmovesto New York ...
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... andher husband came to the United Statesin1793, as members oftheNew American Company. Rowsonwrote several comedies for performance ather family's benefits,5 butonly Slavesin Algiers (1794)hassurvived. Rowson quit thestagein 1797 ...
... andher husband came to the United Statesin1793, as members oftheNew American Company. Rowsonwrote several comedies for performance ather family's benefits,5 butonly Slavesin Algiers (1794)hassurvived. Rowson quit thestagein 1797 ...
Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
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