The Cambridge Companion to American Women PlaywrightsThis volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
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... formalism, and politics THOMAS P. ADLER 9 From Harlem to Broadway: African American women playwrights at midcentury MARGARET B.WILKERSON Part 3:Newfeminists 10 Feminist theory and contemporary drama JANET BROWN 11 Feminist theatre ...
... formalism, and politics THOMAS P. ADLER 9 From Harlem to Broadway: African American women playwrights at midcentury MARGARET B.WILKERSON Part 3:Newfeminists 10 Feminist theory and contemporary drama JANET BROWN 11 Feminist theatre ...
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With the exception of a handful of respected plays – such as Susan Glaspell's Trifles, Lorraine Hansberry's A Raisin in the Sun, and Lillian Hellman'sThe Children'sHour andTheLittle Foxes –anda few spectacular Broadway successes ...
With the exception of a handful of respected plays – such as Susan Glaspell's Trifles, Lorraine Hansberry's A Raisin in the Sun, and Lillian Hellman'sThe Children'sHour andTheLittle Foxes –anda few spectacular Broadway successes ...
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... States 1843 First recordedmatinee performance in New York 1845 Anna Cora Mowatt's Fashion; is reviewed twice by Edgar Allan Poe forthe Broadway Journal; also in this year Mowatt debuts as an actress 1847 Anna Cora Mowatt's Armand, ...
... States 1843 First recordedmatinee performance in New York 1845 Anna Cora Mowatt's Fashion; is reviewed twice by Edgar Allan Poe forthe Broadway Journal; also in this year Mowatt debuts as an actress 1847 Anna Cora Mowatt's Armand, ...
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... more than eighty theatres will be built in the Broadway district (39th Street to 54th Street) 1901 Jane Addamsand LauraDainty Pelham found the HullHouse Players in Chicago for the purpose of community education and edification 1904 ...
... more than eighty theatres will be built in the Broadway district (39th Street to 54th Street) 1901 Jane Addamsand LauraDainty Pelham found the HullHouse Players in Chicago for the purpose of community education and edification 1904 ...
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... Verge Rachel Crothers' Nice People 1922 Sophie Treadwell's first Broadway production, Gringo 1923 Rachel Crothers' Mary the Third Ottie Graham's Holiday 1924 Rachel Crothers' Expressing Willie Dorothy C.
... Verge Rachel Crothers' Nice People 1922 Sophie Treadwell's first Broadway production, Gringo 1923 Rachel Crothers' Mary the Third Ottie Graham's Holiday 1924 Rachel Crothers' Expressing Willie Dorothy C.
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Contenido
Susan Glaspell and modernism | |
Sophie Treadwell | |
feminism formalism and politics | |
African American women playwrights | |
Feminist theory and contemporary drama | |
Feminist theatre of the seventiesin the United States | |
Contemporary playwrightstraditional forms | |
a feminist voice from the seventies to the present | |
Further reading 14 Contemporary American women playwrights a brief survey of selected | |
Works cited | |
thecareer of Rachel Crothers | |
The Harlem Renaissance and the New Negro Movement | |
Index | |
Otras ediciones - Ver todas
The Cambridge Companion to American Women Playwrights Brenda Murphy Sin vista previa disponible - 1999 |
Términos y frases comunes
Adrienne Kennedy African American African American women Alice Childress American Drama American theatre American women playwrights andher andthe artists asthe atthe audience Beth Henley black women Broadway bythe Cambridge Companion career century characters comedy Contemporary critics culture domestic dramatists edited expressionist Fefu female feminism Fornes fromthe gender Georgia Douglas Georgia Douglas Johnson Girls Glaspell Grimké Hansberry Hansberry’s Harlem Renaissance Heidi Heidi Chronicles Henley’s Howe’s Hurston husband inthe Johnson Kennedy’s Lillian Hellman Lorraine Hansberry Lyssa male Man’s World marriage Marsha Marsha Norman melodrama Miller modern modernist mother movement Negro NewYork nineteenthcentury Norman Ntozake ofher ofthe oneact onthe patriarchal performances play play’s playwriting political produced Rachel Crothers ratherthan realism role Rowson scene Shange Shange’s Simone social Sophie Treadwell stage Susan Glaspell Susan Glaspell’s Terry’s thatthe theatrical theNew theplay tothe traditional Treadwell Treadwell’s University Wasserstein Wendy Wendy Wasserstein withher withthe woman writing York
Información bibliográfica
| Título | The Cambridge Companion to American Women Playwrights Cambridge Companions to Literature |
| Editor | Brenda Murphy |
| Editor | Cambridge University Press, 1999 |
| ISBN | 1139825615, 9781139825610 |
| Exportar cita | BiBTeX EndNote RefMan |