Intertextual Encounters in American Fiction, Film, and Popular Culture

Portada
Popular Press, 2001 - 221 páginas
Intertextual encounters occur whenever an author or the author's text recognizes, references, alludes to, imitates, parodies, or otherwise elicits an audience member's familiarity with other texts. F. Scott Fitzgerald and Nathanael West use the fiction of Horatio Alger, Jr., as an intertext in their novels, The Great Gatsby and A Cool Million. Callie Khouri and Ridley Scott use the buddy-road-picture genre as an intertext for their Thelma and Louise. In all these cases, intertextual encounters take place between artists, between texts, between texts and audiences, between artists and audiences. Michael Dunne investigates works from the 1830s to the 1990s and from the canonical American novel to Bugs Bunny and Jerry Seinfeld.

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Contenido

Acknowledgments
1
INTERTEXTUAL ENCOUNTERS IN FICTION
19
Intertextual Encounters
39
The Matter of the Rosenbergs and Other Intertexts
56
INTERTEXTUAL ENCOUNTERS IN FILM
71
Thelma Louise as a Female Road Film 832
89
Barton Fink and The Player
105
INTERTEXTUAL ENCOUNTERS IN POPULAR CULTURE
122
The Classic Warner Brothers
145
Jerry Seinfeld and Dennis Miller
159
Conclusion
174
Works Cited
196
Index
211
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