Intertextual Encounters in American Fiction, Film, and Popular CulturePopular Press, 2001 - 221 páginas Intertextual encounters occur whenever an author or the author's text recognizes, references, alludes to, imitates, parodies, or otherwise elicits an audience member's familiarity with other texts. F. Scott Fitzgerald and Nathanael West use the fiction of Horatio Alger, Jr., as an intertext in their novels, The Great Gatsby and A Cool Million. Callie Khouri and Ridley Scott use the buddy-road-picture genre as an intertext for their Thelma and Louise. In all these cases, intertextual encounters take place between artists, between texts, between texts and audiences, between artists and audiences. Michael Dunne investigates works from the 1830s to the 1990s and from the canonical American novel to Bugs Bunny and Jerry Seinfeld. |
Contenido
Acknowledgments | 1 |
INTERTEXTUAL ENCOUNTERS IN FICTION | 19 |
Intertextual Encounters | 39 |
The Matter of the Rosenbergs and Other Intertexts | 56 |
INTERTEXTUAL ENCOUNTERS IN FILM | 71 |
Thelma Louise as a Female Road Film 832 | 89 |
Barton Fink and The Player | 105 |
INTERTEXTUAL ENCOUNTERS IN POPULAR CULTURE | 122 |
The Classic Warner Brothers | 145 |
Jerry Seinfeld and Dennis Miller | 159 |
Conclusion | 174 |
Works Cited | 196 |
211 | |
Otras ediciones - Ver todas
Intertextual Encounters in American Fiction, Film, and Popular Culture Michael Dunne Vista de fragmentos - 2001 |
Intertextual Encounters in American Fiction, Film, and Popular Culture Michael Dunne Vista de fragmentos - 2001 |
Términos y frases comunes
According actual Alger allusions American animated appears assumed audience authors called cartoons Chapter character classic clearly conventional Coover create critical cultural develop direct discussion Dream earlier episode especially example expect experience explains familiar Faulkner fictional film finally Fink Gatsby genre Griffin Hawthorne Hawthorne's Head Hester highly historical Hollywood interpretation intertextual encounters ironic Jerry John kind later less literary living look Louise lyric male Miller movie narrative novel O'Connor original Oscar Hammerstein II perhaps picture play plot political popular popular culture present probably produced readers references reviewers rhetorical Richard road Robert Robin romance Rosenbergs says scene seems seen sense similar song sort story structure success suggest surely television tells textual Thelma thing tion tradition turn viewers voice watch writes written York
Referencias a este libro
Seinfeld, Master of Its Domain: Revisiting Television's Greatest Sitcom David Lavery,Sara Lewis Dunne Sin vista previa disponible - 2006 |
Seinfeld, Master of Its Domain: Revisiting Television's Greatest Sitcom David Lavery,Sara Lewis Dunne Vista de fragmentos - 2006 |