Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 páginas |
Dentro del libro
Resultados 1-3 de 45
Página 51
... so that " the monologue became in fact a duet . " 5 As she recognizes Beloved's subjectivity apart from her own , she also begins to recognize her mother's subjectivity apart from 51 PUTTING TWAIN'S STORY NEXT TO HERS IN MORRISON'S BELOVED.
... so that " the monologue became in fact a duet . " 5 As she recognizes Beloved's subjectivity apart from her own , she also begins to recognize her mother's subjectivity apart from 51 PUTTING TWAIN'S STORY NEXT TO HERS IN MORRISON'S BELOVED.
Página 52
... recognize her mother's subjectivity apart from her own , and her own favorite story becomes no longer the only story in a gleaming , powerful world but one among others , one for which she begins to claim ownership and responsibility ...
... recognize her mother's subjectivity apart from her own , and her own favorite story becomes no longer the only story in a gleaming , powerful world but one among others , one for which she begins to claim ownership and responsibility ...
Página 144
... recognizing each other and taking re- sponsibility both for our various certainties and for what those certainties might conceal . Invisible Man models a necessary , healthy , ongoing dialectic of negation and repair as we recognize and ...
... recognizing each other and taking re- sponsibility both for our various certainties and for what those certainties might conceal . Invisible Man models a necessary , healthy , ongoing dialectic of negation and repair as we recognize and ...
Contenido
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Referencias a este libro
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Sin vista previa disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Vista de fragmentos - 2002 |