Learning from Difference: Teaching Morrison, Twain, Ellison, and EliotOhio State University Press, 1999 - 219 páginas |
Dentro del libro
Resultados 1-3 de 3
Página 134
... Trueblood , did everything it seemed to pull us down " ( 47 ) . The narrator reenacts Norton's , his own , and other students ' condescension and blindness toward Trueblood , but the narrator will also suggest an incipient awareness ...
... Trueblood , did everything it seemed to pull us down " ( 47 ) . The narrator reenacts Norton's , his own , and other students ' condescension and blindness toward Trueblood , but the narrator will also suggest an incipient awareness ...
Página 140
... Trueblood to repeat his story again and again , Norton is obviously fascinated . Norton considers Trueblood's story from the relatively detached perspective of horror , but his fascination invites suspicion about the supposed purity of ...
... Trueblood to repeat his story again and again , Norton is obviously fascinated . Norton considers Trueblood's story from the relatively detached perspective of horror , but his fascination invites suspicion about the supposed purity of ...
Página 141
... Trueblood's storytelling ( xvi ) is the tendency to refuse , or at least to make do without , escape , scapegoats , or other escapist solutions — solutions such as trusting to private morality or to Providence , as in Twain's novel , or ...
... Trueblood's storytelling ( xvi ) is the tendency to refuse , or at least to make do without , escape , scapegoats , or other escapist solutions — solutions such as trusting to private morality or to Providence , as in Twain's novel , or ...
Contenido
INTRODUCTION | 1 |
CHAPTER I | 63 |
Learning from Invisibility and Blindness | 100 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
aesthetic African American culture African American literature American literature American romance Amy's articulate attempt attention Beloved canonical challenge characters critical cultural power democracy Denver difference discourse dominant culture Eliot's note Eliot's poem Ellison's novel escape European American example experience Faulkner's fear feel focus freedom gender heroism Huck and Jim Huck's Huckleberry Finn ideals identity imagine interaction ironic irony jazz Jim's story language less loss middle class modern modernist moral Morrison's novel mother multiculturalism narrator negative freedom negotiation Norton's pathos and dignity perhaps poem's political position positive freedom possible potential promise protagonist questions raft Ralph Ellison readers reading recognize relationship remade represented responsibility rhetorical seems sense Sethe Sethe's Shadow and Act slave social society stanza suggests T. S. Eliot tions Tiresias Tom's tradition transference transforming Trueblood ture Twain's novel unspeakable vision Waste Land Wheatstraw white supremacy writing
Referencias a este libro
The Identifying Fictions of Toni Morrison: Modernist Authenticity and ... J. Duvall Sin vista previa disponible - 2000 |
Literatur als kulturelle Ökologie: zur kulturellen Funktion imaginativer ... Hubert Zapf Vista de fragmentos - 2002 |