Critical Approaches to American Literature: Roger Williams to Herman Melville

accept action actual Ahab American appears Bartleby become beginning believe Brown called century chapter character course critics death discovered Edwards effect Emerson England essay evidence evil existence experience expressed fact feel figure final follow force Franklin freedom gives hand Hawthorne Hawthorne's heart human idea imagination important individual Judge kind language later less letter light live look majority meaning Melville Melville's mind Modern Language Association moral nature Negroes never object once organic original Paine poem possible present principle problem Puritan question reality reason represents Reuben Roger says seems sense social society soul spiritual story suggested symbol things Thoreau thought tion true truth turn universe vision wall whale whole writer York young