Film and Comic BooksIan Gordon, Mark Jancovich, Matthew P. McAllister Univ. Press of Mississippi, 2010 M01 6 - 304 páginas Contributions by Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lefevre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics. A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor; Ghost World), and photo-montage comics (Mexico's El Santo). Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition. Essayists also discuss recent works from Mexico, France, Germany, and Malaysia. |
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Página viii
... panel - by - panel visual recreation of the com- ics as you could imagine ... [ t ] he composition of the frames is the same ; the camera angles the same ; and every line of [ viii ] INTRODUCTION.
... panel - by - panel visual recreation of the com- ics as you could imagine ... [ t ] he composition of the frames is the same ; the camera angles the same ; and every line of [ viii ] INTRODUCTION.
Página xi
... panels , which have important visual resemblance . Even in mainstream blockbuster movies , these visual parallels may lead to inter- esting aesthetic experiments , such as the " comics - look " attempted by such films as Dick Tracy and ...
... panels , which have important visual resemblance . Even in mainstream blockbuster movies , these visual parallels may lead to inter- esting aesthetic experiments , such as the " comics - look " attempted by such films as Dick Tracy and ...
Página 3
... panels are arranged on a page , panels are static drawings and a comic does not make noise or sound . Film is quite different . First , there is a screen frame , second , the film images are moving and photographic , third , film has a ...
... panels are arranged on a page , panels are static drawings and a comic does not make noise or sound . Film is quite different . First , there is a screen frame , second , the film images are moving and photographic , third , film has a ...
Página 5
... panel , scan the complete plate , and return to panels or whole sequences at free will . A film , though , obliges the viewer to follow the rhythm of the sequences.14 In film the shots are put on a linear - time sequence THE PROBLEMATIC ...
... panel , scan the complete plate , and return to panels or whole sequences at free will . A film , though , obliges the viewer to follow the rhythm of the sequences.14 In film the shots are put on a linear - time sequence THE PROBLEMATIC ...
Página 6
... panels and the combination of the panels on a page cannot be that easily separated : choices in one domain have consequences in the other do- main ( Groensteen , " Du 7 e au 9 e art " 28 ) .15 In addition , the interplay of the various ...
... panels and the combination of the panels on a page cannot be that easily separated : choices in one domain have consequences in the other do- main ( Groensteen , " Du 7 e au 9 e art " 28 ) .15 In addition , the interplay of the various ...
Contenido
10 | |
34 | |
WILL THE REAL WOLVERINE PLEASE STAND UP? | 61 |
WHEN GENX MET THE XMEN | 83 |
WHAM BAM THE XMEN ARE HERE | 98 |
UNBREAKABLE AND THE LIMITS OF TRANSGRESSION | 113 |
TEEN TRAJECTORIES IN SPIDERMAN AND GHOST WORLD | 134 |
ITS A BIRD ITS A PLANE NO ITS DVD | 157 |
EL SANTO | 196 |
FROM BLOCKBUSTER TO FLOP? | 218 |
OLD MALAY HEROES NEVER DIE | 243 |
ENKI BILALS INTERMEDIAL FANTASIES | 265 |
NOTES | 282 |
REFERENCES | 294 |
CONTRIBUTORS | 314 |
INDEX | 318 |
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Términos y frases comunes
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