Film and Comic BooksIan Gordon, Mark Jancovich, Matthew P. McAllister Univ. Press of Mississippi, 2010 M01 6 - 304 páginas Contributions by Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lefevre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics. A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor; Ghost World), and photo-montage comics (Mexico's El Santo). Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition. Essayists also discuss recent works from Mexico, France, Germany, and Malaysia. |
Dentro del libro
Resultados 1-5 de 47
Página xiv
... instances of the Superman intertext , Superman : The Movie and the Smallville television series , as the subject for ... instance , the Australian director Bruce Beresford's first film was the 1972 production of The Ad- ventures of Barry ...
... instances of the Superman intertext , Superman : The Movie and the Smallville television series , as the subject for ... instance , the Australian director Bruce Beresford's first film was the 1972 production of The Ad- ventures of Barry ...
Página 1
... opposed to the idea of a filmic adaptation . For instance , Art Spiegelman does not want to see his Maus adapted as a live action movie , because he. INCOMPATIBLE VISUAL ONTOLOGIES ? THE PROBLEMATIC ADAPTATION OF DRAWN IMAGES. [ 1 ]
... opposed to the idea of a filmic adaptation . For instance , Art Spiegelman does not want to see his Maus adapted as a live action movie , because he. INCOMPATIBLE VISUAL ONTOLOGIES ? THE PROBLEMATIC ADAPTATION OF DRAWN IMAGES. [ 1 ]
Página 4
... instance , the two police officers in the comic From Hell ( Moore and Campbell ) are combined in the film into one character . The necessity of such changes in large part is simply due to the different narrative - length norms of the ...
... instance , the two police officers in the comic From Hell ( Moore and Campbell ) are combined in the film into one character . The necessity of such changes in large part is simply due to the different narrative - length norms of the ...
Página 5
... instance , the changes in costumes and the character motivations in the X - Men films dissatisfied some fans ( Lee 2000 ) . The organic webshooters of Spider - Man in the Sam Raimi film seem to pose a problem for some fans , because in ...
... instance , the changes in costumes and the character motivations in the X - Men films dissatisfied some fans ( Lee 2000 ) . The organic webshooters of Spider - Man in the Sam Raimi film seem to pose a problem for some fans , because in ...
Página 9
... instance , stylized draw- ings do not deliver a successful trompe l'oeuil , whereas an optic image can easily fool the eye and the mind of the viewer . That explains why a viewer more likely accepts violence in a drawn medium than in a ...
... instance , stylized draw- ings do not deliver a successful trompe l'oeuil , whereas an optic image can easily fool the eye and the mind of the viewer . That explains why a viewer more likely accepts violence in a drawn medium than in a ...
Contenido
10 | |
34 | |
WILL THE REAL WOLVERINE PLEASE STAND UP? | 61 |
WHEN GENX MET THE XMEN | 83 |
WHAM BAM THE XMEN ARE HERE | 98 |
UNBREAKABLE AND THE LIMITS OF TRANSGRESSION | 113 |
TEEN TRAJECTORIES IN SPIDERMAN AND GHOST WORLD | 134 |
ITS A BIRD ITS A PLANE NO ITS DVD | 157 |
EL SANTO | 196 |
FROM BLOCKBUSTER TO FLOP? | 218 |
OLD MALAY HEROES NEVER DIE | 243 |
ENKI BILALS INTERMEDIAL FANTASIES | 265 |
NOTES | 282 |
REFERENCES | 294 |
CONTRIBUTORS | 314 |
INDEX | 318 |
Otras ediciones - Ver todas
Términos y frases comunes
action adaptations aesthetic Aliens American appeared artist audience become brand cartoon character Christopher Reeve cinema color comic book comic strip continued created critical culture Dark Horse David Dick Tracy discussion documentary drawing early effect elements example fans figure film film's frame genre German Hang Tuah hero identity images important industry instance interest issues König later licensing look Malay Marvel Marvel Comics means medium move movie narrative nature offers original panels particular Pekar played popular position Press production published readers release represented result role Santo scene screen seen sense sequence shot shows Smallville social Spider-Man Star story strategies studies style success suggests superhero Superman teen television texts tion translation turn University various visual Warner Bros Wolverine writing X-Men