The Tourist GazeSAGE Publications, 2002 M03 29 - 184 páginas This Second Edition deepens our understanding of how the tourist gaze orders and regulates the relationship with the tourist environment, demarcating the "other" and identifying the "out-of-the-ordinary." It elucidates the relationship between tourism and embodiment and elaborates on the connections between mobility as a mark of modern and postmodern experience and the attraction of tourism as a lifestyle choice. The result is a book that builds on the proven strengths of the First Edition and revitalizes the argument to address the needs of researchers and students in the new century. |
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Página 127
... photographs of being seen and recorded , and of seeing others and recording them . Susan Sontag explicitly makes this link between the flâneur and photo- graphy . The latter : - first comes into its own as an extension of the eye of the ...
... photographs of being seen and recorded , and of seeing others and recording them . Susan Sontag explicitly makes this link between the flâneur and photo- graphy . The latter : - first comes into its own as an extension of the eye of the ...
Página 128
... photograph thus stems from its ability to pass itself off as a miniaturisation of the real , without revealing either its constructed nature or its ideological content ( but see Martin Parr's photographs in Small World , 1995 ; and see ...
... photograph thus stems from its ability to pass itself off as a miniaturisation of the real , without revealing either its constructed nature or its ideological content ( but see Martin Parr's photographs in Small World , 1995 ; and see ...
Página 129
... Photographs are subjective and objective , both personal and apparently accounting for how things really are . Indeed the photographic tourist gaze produces an aesthetics that excludes as much as it includes . It is unusual to see ...
... Photographs are subjective and objective , both personal and apparently accounting for how things really are . Indeed the photographic tourist gaze produces an aesthetics that excludes as much as it includes . It is unusual to see ...
Contenido
Mass Tourism and the Rise and Fall of the Seaside Resort | 16 |
The Changing Economics of the Tourist Industry | 38 |
Working Under the Tourist Gaze | 59 |
Derechos de autor | |
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activities architecture argues attraction authentic Bagguley beach become Blackpool Britain British buildings capital catering cent central centres Chapter complex conservation constructed consumers consumption contemporary Cook countryside cultural distinct economic employees England English Heritage environment especially example flâneur flexible forms global groups growth heritage Hewison holiday-making images important increase increasingly involved labour Lancashire Lancaster landscape large numbers leisure live London MacCannell malls mass tourism Metrocentre middle class million mobile modern Morecambe museums nature nineteenth century noted objects organised package holidays park particular patterns period photographs places pleasure popular population post-tourist postmodern postmodern architecture production pseudo-events Quarry Bank Mill railway restaurants Routledge seaside resorts sense service class significant societies summarises themed Thomas Cook tour Tourism Concern tourist experience tourist gaze tourist industry Trafford Centre Urry various visitors visual visual perception Walton Wigan World Tourism Organisation