Gluck and the Opera: A Study in Musical History

accompaniment Achilles Admetus æsthetic Agamemnon Alceste Algarotti andante appears aria Armida artistic ballet beauty Burney Calchas Calzabigi castrato character Chevalier Gluck chorus Clytemnestra colour composer composition course criticism declamation Desnoiresterres dramatic music duet Durazzo effect eighteenth century emotional epoch Erasto Eurydice expression Favart feeling German give Gluck gods Greek Handel harmony Harpe ideas imagination imitation intellectual Iphigenia in Aulis Italian Italian opera Italy Jacopo Peri Journal de Paris La Harpe later Les Danaïdes letter libretto Lully lyrical Marx melody Metastasio method musician Musique nature orchestra Orestes Orfeo Orpheus overture painting Paris and Helen passage passion performance Phénice Piccinni poem poet poetical poetry and music produced purely Pylades Rameau recitative reform replies rhythm Rinaldo ritornello Roullet Rousseau scene score sense simply singers singing song spirit style symphony taste Telemacco theatre theme theory thought tion verses Vienna voice words write written