A Dialogue of Voices: Feminist Literary Theory and BakhtinKaren Ann Hohne, Helen Wussow U of Minnesota Press, 1994 - 207 páginas A Dialogue of Voices was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The work of the Russian theorist Mikhail Bakhtin, particularly his notions of dialogics and genre, has had a substantial impact on contemporary critical practices. Until now, however, little attention has been paid to the possibilities and challenges Bakhtin presents to feminist theory, the task taken up in A Dialogue of Voices. The original essays in this book combine feminism and Bakhtin in unique ways and, by interpreting texts through these two lenses, arrive at new theoretical approaches. Together, these essays point to a new direction for feminist theory that originates in Bakhtin-one that would lead to a feminine être rather than a feminine écriture. Focusing on feminist theorists such as Hélène Cixous, Teresa de Lauretis, Julia Kristeva, and Monique Wittig in conjunction with Bakhtin's concepts of dialogism, heteroglossia, and chronotope, the authors offer close readings of texts from a wide range of multicultural genres, including nature writing, sermon composition, nineteenth-century British women's fiction, the contemporary romance novel, Irish and French lyric poetry, and Latin American film. The result is a unique dialogue in which authors of both sexes, from several countries and different eras, speak against, for, and with one another in ways that reveal their works anew as well as the critical matrices surrounding them.Karen Hohne is an independent scholar and artist living in Moorhead, Minnesota. Helen Wussow is an assistant professor of English at Memphis State University. |
Dentro del libro
Resultados 1-5 de 75
... female voice " disrupts the " surveillant " male gaze . Here , as in many feminist criticisms , the female voice is referred to but is not defined . Is the female voice simply the voice of a female author or character ? And what is this ...
... female voices means that in listening to " voices " we are re- ally listening only for a distinguishable female voice ( note the tautology of this approach ) . We must , says Herrmann , rewrite Bakhtin by positing subject as gendered ...
... ( female ) gendered other and her voice . 8 An example of this type of exclusionary essentialism , despite their ar ... female locutor — is created . The unfortu- nate thing is that in Irigaray's discourse , the silent " you " is female ...
... female chronotope , however , would consist of positing the female subject in the context of space and time . Two bodies , the female self and the female other , or the female self and the male other , can observe one another in ...
... female subject within these spatial and temporal dimensions . Holquist has argued that the " I " is a chrono- tope through which language passes.29 Now is the time to posit the fe- male " I " as a particular chronotope that has yet to ...
Contenido
1 | |
Yeatss Crazy Jane | 20 |
mikhail bakhtin feminine écriture | 42 |
Voicing Another Nature | 59 |
Erotic Discourse and the Dialogic | 83 |
Dialogism and the Carnivalesque | 97 |
Is Bakhtin a Feminist or Just Another Dead White Male? | 114 |
Jane Eyre Feminism | 152 |
Pernette du Guillets Dialogic | 171 |
Contributors | 199 |
Otras ediciones - Ver todas
A Dialogue of Voices: Feminist Literary Theory and Bakhtin Karen Ann Hohne,Helen Wussow Vista previa limitada - 1994 |
A Dialogue of Voices: Feminist Literary Theory and Bakhtin Karen Ann Hohne,Helen Wussow Sin vista previa disponible - 1994 |