The Signifying Monkey: A Theory of African-American Literary Criticism

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Oxford University Press, 1989 M12 14 - 320 páginas
The Signifying Monkey is the first book of literary criticism to trace the roots of contemporary Black literature to Afro-American folklore and to the traditions of African languages. As the author examines the ancient poetry of the Ifa Oracle (found in Nigeria, Benin, Brazil, Cuba, and Haiti), he uncovers the origins of a sacred system of divination, brought to America by black slaves who felt it to be the very "heart-beat" of their souls. Gates demonstrates how a heroic and popular character called the Signifying Monkey emerged from this divination and came to pervade Afro-American culture. In providing masterful readings of literary works by Alice Walker, Zora Neale Hurston, Ralph Ellison, Jean Toomer, Richard Wright, and Ishmael Reed--and in defining how the works of these authors "signify upon" each other--the author delivers a powerful and ground-breaking work of critical theory. Many previously unpublished tales about the Monkey, as well as those already published, are collected in a detailed appendix.

Dentro del libro

Contenido

A Theory of the Tradition
1
Reading the Tradition
125
Notes
259

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Acerca del autor (1989)

Henry Louis Gates, Jr. was born on September 16, 1950, in Keyser, West Virginia. He received a degree in history from Yale University in 1973 and a Ph.D. from Clare College, which is part of the University of Cambridge in 1979. He is a leading scholar of African-American literature, history, and culture. He began working on the Black Periodical Literature Project, which uncovered lost literary works published in 1800s. He rediscovered what is believed to be the first novel published by an African-American in the United States. He republished the 1859 work by Harriet E. Wilson, entitled Our Nig, in 1983. He has written numerous books including Colored People: A Memoir, A Chronology of African-American History, The Future of the Race, Black Literature and Literary Theory, and The Signifying Monkey: Towards a Theory of Afro-American Literary Criticism. In 1991, he became the head of the African-American studies department at Harvard University. He is now the director of the W.E.B. Du Bois Institute for African and African-American Research at the university. He wrote and produced several documentaries including Wonders of the African World, America Beyond the Color Line, and African American Lives. He has also hosted PBS programs such as Wonders of the African World, Black in Latin America, and Finding Your Roots. Henry Louis Gates, Jr. is Chairman of the Department of Afro-American Studies and W.E.B. Du Bois Professor of the Humanities at Harvard University. He is the author of Figures in Black, Loose Canons, and Colored People; general editor of The Schomburg Library of Nineteenth-Century Black Women Writers; and general editor of The W.E.B. Du Bois Institute series.

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