A History of the Oratorio: Vol. 4: The Oratorio in the Nineteenth and Twentieth Centuries
UNC Press Books, Sep 1, 2012 - 856 páginas
With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored the genre in the Classical era. Here, Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France.
Continuing the approach of the previous volumes, Smither treats the oratorio in each language and geographical area by first exploring the cultural and social contexts of oratorio. He then addresses aesthetic theory and criticism, treats libretto and music in general, and offers detailed analyses of the librettos and music of specific oratorios (thirty-one in all) that are of special importance to the history of the genre.
As a synthesis of specialized literature as well as an investigation of primary sources, this work will serve as both a springboard for further research and an essential reference for choral conductors, soloists, choral singers, and others interested in the history of the oratorio.
Originally published 2000.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Otras ediciones - Ver todas
A M P L E amateur arias arioso atorio Bach Bach’s bass beginning Berlioz Boston cantata cappella chant chapter Choirs choral choral societies chorus Christus church music composer composer’s concert dramatic oratorio Dwight Elgar Elijah Elisabeth Ex A M P L E Example Franck French oratorios Friedrich fugue Full score Geck genre Gerontius Gounod Handel Handel and Haydn Handelian Haydn Haydn Society heard Holy homophonic Ibid includes J. S. Bach Jerusalem Jesus Johann Judas Maccabaeus Leipzig libretto Liszt Loewe Loewe’s London lyric Marie-Magdeleine Massenet Matthäus-Passion melody Mendelssohn Messiah Moses motif Music Festival narrative nineteenth century noted Novello œ J œ œ œ œ opera orato Oratorium orchestra Paris Passion Paulus performed Peri personages premiere recitative rédemption religious Sacred Saint-Simonians scene Schneider Schumann singers singing solo soloists Spohr style sung Testament Three Choirs Festival timpani tion Vocal score voices Weltgericht work’s York